12 in 12

Ahead of my now-annual review of the year, I asked myself why I’m writing it. Is it pure self-indulgence??? Well, partly yes, but it also helps prepare me for the coming year. Selling photographs is a constant battle, with more photographers creating more images than ever before. Just last week a well-known, global outdoor company told me they couldn’t pay more than £40 to use an image on their website because they get most of their photos from amateurs for free!

I don’t need that kind of negative thought lingering over the festive period, so I’m reflecting on how lucky I’ve been in the last 12 months, to do what I love.

It’s difficult to get any business done over Christmas, so this acts as something much more important – a reminder of the passion that started all this. I hope you can see some of it in this blog; 12 months in 12 images.

012

This might be a strange choice for January, given that I had a press pass to shoot the Freeride World Tour, the first of several shoots for Whitedot Skis, and the first of my collaborations with Geoff Harper and his fatbike and with Charley and Sophie Radcliffe, Sidetracked and Salomon. An incredible start to the year, and exactly why I’d decided to spend the winter in Chamonix, but this shot sums up how I was feeling as 2015 ticked over – like I was in a world of epic opportunity.

021

February’s shot is more predictable, and if you follow my blog or social media you’ll definitely have seen this before. I means a lot to me personally as it reminds me of a superb day more or less managing to keep up with pro skiers on the Vallee Blanche – Ben Briggs, Tom Coney and John Luckhurst repping Whitedot. But it was also a successful image with several commercial and editorial outlets including a double-page spread in BMC’s Summit magazine.

I’d worked with the British Ski Academy and Off Piste Performance in February, as well as heli-skiing for the first time and meeting and interviewing one of my heroes, Xavier de le Rue. But still this shot of Ben stands out.

March was equally busy, but one shoot stands out again; ski touring with Charley and Sophie Radcliffe.

031

We’d worked together on a few collaborations with Sidetracked and Salomon, and it was great to get to know these guys as runners and climbers. But it was ski touring that showcased their attitude to life – they’d never done it before, but still gave it their all!

041

Another thing you’re probably sick of hearing about; Geoff Harper’s attempt to fatbike the Tour du Mont Blanc. You can read the story here and here, but suffice to say this shot, from April, is from our final day working together and was the culmination of a really unique project that gained lots of attention for Geoff and his sponsors, and gave the two of us a great friendship. It also secured my second double-page spread in MBR magazine!

051

By May I’d relocated to the Peak District, but didn’t get much chance to settle in before heading off to Alaska for the start of a great working relationship with Double A Media (Active Traveller, and Snow magazines). I’m not sure I’ll ever try stand-up paddle boarding again – how could it compare to my first time, floating with icebergs? – but I’ll never forget this unique experience, and the dozens of others from ‘The Last Frontier’. This trip also provided the basis for the first of many articles for Gore Tex ‘Experience More’ which you can read here.

Between Alaska and a June trip to Austria I managed to squeeze in a quick return to the Lake District to shoot Kona’s Dan Farley in a secret Cumbrian spot. He spent so long in the air that the slow-shutter pan-shot was a breeze!

062

In July Active Traveller sent me packing again for a mountain biking trip to Utah. Park City’s trail centres were the best I’ve ever ridden, but the southern landscape is what makes Utah. I had a hard time selecting just one, and although it’s not an action shot, it does represent the inordinate amount of time I spent staring into the vastness of the desert…

074

By August I’d managed to devote some time to my architectural passion, and make a start as a Peak District hotel photographer at the impossibly perfect Old Shoulder of Mutton in Winster. It’s obvious why they’re in the Michelin Guide!

081

And after a brief mountain hit in Andorra (another piece coming soon to Active Traveller) I got more of the same in September. Being asked to photograph Morland House in the Eden Valley was a treat; it’s dripping in grandeur and history, and somehow manages to stay homely. Except when you’re alone in the dark and everything creaks….

091

The rest of the year was dominated by a large project for the Peak District National Park Authority, and was a really interesting challenge. I’d pitched an idea of how to promote the Pedal Peak initiative through imagery, and it stretched my ideas of cycling photography in lots of creative ways. The October shot below, is of a mountain bike route and was well within my comfort zone:

102

…But Pedal Peak is aimed at promoting cycling for all; calling myself an adventure photographer wasn’t going to cut it, and I found I had to look at biking without the mountain, in a different way. Even something as sedate as cycling to afternoon tea had to be covered, this time in Buxton in November:

113

By December I was concerned about a lack of colour and life in the landscape, but a gentle ride along the canal at Cheddleton revealed soft autumnal tones were still lingering and was a relaxing way to begin the wind-down before Christmas!

122

So many people have contributed to an incredible year – some mentioned above – but I’d particularly like to thank all my clients. Those who still place a value on photography and writing and consequently inspire professionalism and creativity; I’ve got plenty of those ready for 2016!

 

Advertisements

What’s So Good About Chamonix? Part 2

If you haven’t read the first installment of this ‘season highlights’ blog, you can find it here. I did some really thorough moaning in it, so it’s a good read if you like that sort of thing. There was a whiff of positivity too, and some pretty pictures. Even for a grump like me, it’s difficult not to love Chamonix – for all the frustration, bureaucracy and the rest, as soon as you get on the mountain there is nowhere like it. And all that opportunity and variety I mentioned last time, that’s down to the incredible people that live there. Here are some of them.

But first a brief moan; the parks in Chamonix are awful so I didn’t get to shoot as much freestyle as I’d hoped to. Then again, why go to Chamonix for man-made obstacles when the natural terrain is the best in the world? Case in point:

Kenny Jenkins following his in-built kicker radar

Kenny Jenkins following his in-built kicker radar

It wasn’t until halfway through the season that I got the chance to really start exploring what Chamonix has to offer the off piste skier. The Vallee Blanche – and Gros Rognon variant – may not be off the beaten track, but when your first experience of it is with three sponsored skiers, it’s a different proposition!

Ben Briggs launching off the Midi Arete

Ben Briggs launching off the Midi Arete

Whitedot Skis sent me off with Ben Briggs, Tom Coney and John Luckhurst, and we found a crazy amount of untouched powder for such a world renowned route, and though the snow was wind affected these guys made light work of it.

Tom Coney dodging crevasses

Tom Coney dodging crevasses

I thought Sophie and Charley Radcliffe would be at the other end of the skiing spectrum when we hooked up again for the second of Sidetracked’s Challenge Series. It was their first ‘proper’ ski tour and they’d barely skied any off piste.

They killed it. Here’s a quote from Sophie; “Some day I won’t be able to do this. Today is not that day.” I genuinely believe this attitude it what makes these guys excel in the mountains and in life. There’s even a danger their positivity might reduce some of my moaning.

You can read the Sidetracked piece here (with lots more photos of course).

Does this look like a woman who has barely skied off piste?

Does this look like a woman who has barely skied off piste?

And here’s another shot of Geoff on his 9:Zero:7 fatbike. I’ll say no more as I’m writing articles on this as we speak. Metaphorically.

Fully loaded. Geoff and the trees.

Fully loaded (Geoff and the trees).

This one I’ll explain – it wasn’t part of the Tour du Mont Blanc route, but it’s a location I’ve seen photographed with ice climbers, and I wanted to give it a try. Tricky to get to with a bike, and once again eyebrows were raised and the Compagnie du Mont Blanc gave us a big helping hand by allowing Geoff and his bike to use their facilities. But what a place to ride a bike!

Geoff Harper emerges from the bowels of a glacier.

Geoff Harper emerges from the bowels of a glacier.

Is there anything cooler than abseiling with skis on your back? If there is I don’t know about it. For Ben Briggs it’s an almost daily routine, but then he skis routes that most people couldn’t climb! Final shoot for Whitedot Skis led us to Cosmiques Couloir and stupidly good snow.

Ben Briggs rappelling into Cosmiques Couloir

Ben Briggs rappelling into Cosmiques Couloir

Here’s another shot of Geoff Harper that I can’t say too much about….

Winter bivvy on the Tour Du Mont Blanc

Winter bivvy on the Tour Du Mont Blanc

My final shoot of the season was another Wildey/Radcliffe/Sidetracked/Salomon collaboration. I hadn’t managed as much climbing/mountaineering as I’d expected from the season, but this particular day out completed what I’m pretentiously calling the Cosmiques Trinity. In December I’d climbed (most of) the Cosmiques icefall before retreating for various reasons – one being a huge chunk of ice smashing my face in… I’d also skied the Cosmiques Couloir, so the Cosmiques Arete seemed a nice conclusion to a fantastic season.

Sophie Radcliffe on the magical Cosmiques Arete

Sophie Radcliffe on the magical Cosmiques Arete

It has been my absolute honour and pleasure to work with these inspiring athletes for a whole season. Looking back through a seasons’ work – and it was a challenge to whittle down thousands of shots to this small selection! – I think it’s obvious that calling Chamonix a ski resort does it a huge disservice. When I was a child we had things called adventure playgrounds. This is the grown-ups’ version.

Sophie Radcliffe on top of the world

Sophie Radcliffe on top of the world

Fatbike Mont Blanc

Fatbikes are misunderstood, but Geoff Harper gets it. He’s planning to cycle the Tour du Mont Blanc, in winter, on his 9:Zero:7 Whiteout Carbon.

Geoff Harper and his Whiteout Carbon

Geoff Harper and his Whiteout Carbon

It’s never been done before, and I’m seriously excited to be partnering with Geoff to provide what promises to be some stunning imagery and the story of this unique challenge. Fatbikes have their naysayers, primarily because people insist on riding them to work so they look cool (or foolish dependent on your perspective). But this challenge is what they’re built for. Despite having no suspension, they’re mountain bikes. For mountains. And we hope this project will put the whole fatbike phenomenon in the right context; extending what is possible on a bike when the mountains are cold.

Training on Petit Balcon Sud

Training on Petit Balcon Sud

There are many variations of the TdMB, but all take in 3 countries, around 170km, and 10km of ascent/descent. Anyone who’s tried to ride a bike on snow will have some idea what winter conditions will add to this undertaking.

For the time being, Geoff is training and I’m shooting as much of it as I can – keep up with his progress via his blog at http://907montblanc.com/ and check out his phenomenally lightweight bike at http://907bikes.com/. And get ready for alpinism on wheels.

Descending to Chamonix

Descending to Chamonix

‘Tis The Season to be Nostalgic – 12 Months in 12 Images

I’ve never done this end of year summation before, but the last 12 months have been extraordinary. And apart from that I got bored over Christmas – nobody wants to work from mid-December onwards…. Guess they don’t love their job like I do….

I’ve chosen my favourite shot from each month; not necessarily the ‘best’ shot, or the most successful, but I’ll try to give my reasons as we go….

Dinner in the souk

Dinner in the souk

January started the year on various highs – skiing in Tignes was trumped by a jaunt up North Africa’s highest peak, Jebel Toubkal, with Exped Adventure. You can see the resulting film of the trip on my website here but of the stills, this one brings back the sensory immersion of the first night and is a fitting vignette of how manic the next 12 months would be.

For February I’ve chosen a shot from a ski trip to Cairngorm. I learned to ski there 27 years ago and it was as much of an “experience” upon my return.

Scottish Skiing

Scottish Skiing

James McHaffie preparing to make history

James McHaffie preparing to make history

I’ve cheated here. I must have been asleep through April, so I’ve included two shots from March instead. The first was from a really nice day out with James Mchaffie when he was training for his epic Lakeland challenge later in the year. Considering the magnitude of what he was attempting I was surprised to have the pleasure of a laid back day, just him and me, enjoying a mild spring day in Cumbria. And equally happy to sell a few shots to his sponsors, Rab.

The second of my March shots is from the Whinlatter Challenge event which I shot for Madison. 10 days before I went out with Caff, and very different conditions, with plenty of snow high up making for a stunning back drop to a cracking event.

The Lake District; real mountains

The Lake District; real mountains

In May I was working with BBC Scotland to cover the Tweedlove event, but it wasn’t my highlight. Yorkshire always wins. I got to go home to Yorkshire and shoot the Steel City Downhill event, but I wasn’t home for long….

My beloved Yorkshire, briefly

My beloved Yorkshire, briefly

June, July, August. I’ve had a difficult time trying to choose the moments that mattered out of so many. Alice and I spent the summer travelling Europe, living out of a van. It seems to be a rite of passage for this line of work! But there’s a reason why – the experience threw up endless opportunities for stunning shots (I almost wish I’d created a year in travel photos to go along with this action-based selection). I settled on this camping shot for June. High above Chamonix at the Col De Brevent, Mont Blanc was majestic under the stars, but the sunrise topped it all. I could have chosen Basque Coast mountain biking or horse riding in Les Gers but the freedom, adventure and beauty in this shot sums up the whole of June for me.

Wild camp on Col de Brevent

Wild camp on Col de Brevent

July is going to be Chamonix-based too. Despite a month that included shooting Crankworx and interviewing Gee Atherton for Adventure.com, photographing climbing world cup events, and the best festival in Europe (Vanka Regule, Croatia, if you’re wondering), I still find skiing in summer a novelty! And getting to meet Alison Culshaw of Off Piste Performance whilst shooting for Jottnar was a great bonus too!

Summer ski touring on the Mont Blanc massif

Summer ski touring on the Mont Blanc massif

In August we returned to our second-home, the Dolomites. This shot was on a hike I’ve done many times, but illustrates why I love these mountains – everything is always different. Sas Ciampac, Alta Badia.

Looking towards the Sella Massif from Sas Ciampac

Looking towards the Sella Massif from Sas Ciampac

September offered the brief respite of a lazy Autumn in the Lake District and an endless stream of visitors. Langdale Boulders kept them entertained.

Langdale Boulders in Autumn

Langdale Boulders in Autumn

Back in Yorkshire - riding around Twistleton Scar

Back in Yorkshire – riding around Twistleton Scar

The rest of Autumn, again, revolved around getting muddy on bikes. In October the guys from Escape Bikes showed me around their backyard, under Ingleborough, for a magazine article (yet to be published…) And November took me from Yorkshire to Portugal to shoot with Jim Carroll for another article. The shot below was licensed by Enve Composites, who sponsor Jim with their wheels. I chose it because I’ve worked hard on my MTB work all year, and was happy to nail the ‘moment’. I could have posted dozens of beautiful scenic shots from the Algarve, but this is the money shot!

Jim Carroll getting low

Jim Carroll getting low

And now it’s winter again, so naturally I’m on a snowy mountain. December’s photograph was taken yesterday. I don’t consider myself a landscape photographer, but this is home for the forseeable future. I hope this shot illustrates why!

My new backyard

My new backyard

The Big Decisions, reprise

Today is the last of my day job – as of tomorrow I’m a full time photographer. I recently wrote a blog for Jottnar on the risks involved and the process of making the decision to throw caution to the wind – you can read that original piece here

I’m a great believer in following your passions, and ‘throwing all my eggs into one roofbox’ to go and live on the road is my embodiment of that. So it’s with an unbelievable serendipity that I took a phone call from BBC Scotland this week asking me to work with them at the Tweedlove mountain bike festival in Peebles.

What more perfect justification of my recklessness to quit my job one day, and be working with the BBC the next?

In the next few days I’ll be moving into a van, and heading… well, just heading! Needless to say blogs and photographs will follow keenly through the summer, but I just wanted to mark this day of transition with a big thanks to BBC Scotland, for the timing of this opportunity!

And if this is not portentous enough in itself, you won’t believe the name of the TV show I’ll be appearing on. “On The Road 2014”.

You couldn’t make it up.

[On The Road 2014 will air on BBC Scotland on 2nd June]Image

Cumbria Hotel Photography

It’s tricky to know how to market myself with specialisms as diverse as adventure photography and hotel photography.  They are two disciplines with very different techniques, audiences, and clients.  But there is a centre-point that connects the two and makes my choice of subjects seem more logical, and that is travel photography.

Image

My life of adventure started by working in the travel industry, initially in ski chalets, so the focus was perfectly logical to me.  The overarching principle, from a commercial point of view is to evoke desire in the viewer, to make them place themselves in a photo whether it’s clinging to the side of a mountain or lazing in a four-poster bed.

Image

You might think I enjoy adventure photography much more than hotel photography – on the face of it, it’s more exciting and more universally appealing to a viewer.  But from a photographers’ point of view the two things complement each other well.  I love to find form and shape in nature, but this is nicely balanced for me in the geometry of architecture.  Photographing a hotel room presents its own challenges of perspective, and composition, and balancing soft lines with hard.

Image

In particular Lake District hotel photography offers a beautiful combination of the two disciplines; for commercial purposes it is essential to remember why people want to holiday in this area, and shooting hotel exteriors makes this abundantly clear.  This is why I’m so excited to be offering elevated photography in the Lake District.

Image

Perspective is so important in imagery, and to be able to offer something unusual is a bonus.  To be able to offer an aerial perspective, to all at once take in the whole of a building in the context of its grounds, and the full sweep of its surroundings, is priceless.

I’ve only just started my adventures with elevated photography, but I can’t wait to get stuck in. Onwards and upwards!

Image

Because They’re There?

My first blog entry.  Well I’ve been blogging for other people for so long, I thought it was about time I did so for myself; but I’m going to start with a piece I wrote for Jottnar as it seems an appropriate place to begin.

Image

Why climb mountains?  That’s a tough one.  I was asked why I photograph mountains, and maybe the same answer applies to both questions.  To conquer giants or to capture giants?

Artistically and elementally, there are no better colours and shapes than those found on a jagged summit ridge, a sandstone tower or a meadow of alpine wildflowers.  No better interplay of light and shadow than when the peaks cast their forms far down into the valleys or when rock catches fire at sunset.  No better sense of bewildering scale than the tiny piton holding lives above the chasm.

Image

But photography is best when it captures and evokes emotion.  From tranquil solitude to tempests and terror, the mountains provide a varied diet of soul food for a healthy mind.  Some climb to test their limits, to understand their own reactions to fear, isolation, beauty, adrenaline, autonomy and vulnerability.  After years of discovering my own limitations I really began to notice adventure photography and it was this self-awareness that heightened my reactions – the realisation that the limits of others are way beyond my own.  This makes an image inspirational.

Image

This is only part of the story.  I love mountains.  If you’re reading this I imagine you do too.  Climbing – in rock boots or hiking boots, crampons or skis – can be a way of involving yourself with beauty and nature and getting intimate with the landscape.  Photography can be the same, but maybe it’s also an attempt to hang on to that intimacy for a later date.  For me it’s an attempt to share that intimacy.

Whether I’m capturing adrenaline, wonder or pure beauty, for commercial reasons or not, I think my unconscious aim is always to evoke desire: Desire to be there, to have what it takes to get there, or even to own the gear to enable you to get there.  I guess this is why you should always photograph things you love.

Image